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ModulARPS 2 [KONTAKT]

Introducing ModulARPS 2, the second volume of our loop based series of instruments for NI Kontakt.

Created by a unique modular setup and controlled by Sound designer Pau Cabruja, ModulARPS 2 holds one of the finest collection of Modular Synthesizer loops we’ve ever assembled.

Inside this library you will find a vast array of sequence loops divided into folders Bass, Beats, Melodies, Music, Noises, Rhythms and all designed to fit together perfectly. Expect the unexpected in this twisted library of modular goodness. Covering all styles from Electronica, Ambient, experimental, New Age minimal to the most modern of technical productions, this pack guarantees to add depth, warmth and character to your next composition.

These unique library of modular loops is designed to work in a range of musical and sound design scenarios and contain a huge selection of highly original sounds that are guaranteed to bring life and character to any media production. A journey in Modular sound design, an exploration into harmony and an experiment in groove. From unique melodies to screaming modular bass lines, the inspiration on offer is endless. Don’t let this one pass you by, it will become an integral part of your sample arsenal!

 Pau Cabruja is an electronic musician from Barcelona, Spain. In love with buttons as a small piece of the Monome community and an addict of controllers, his music is a combination of convoluted breaks and exciting melodies resulting in a perfect balance between technology and humanity. His debut album ‘Insekt’, on Barcelona based Discontinu Records, instantly made Pauk one of the most interesting electronic artists to watch out for. He pulls off nothing short of the most highly complex aesthetic digital wonders with nods to the past while eyes constantly kept looking towards the future.

Pauk is the solo project of Pau Cabruja which can be found on most social platforms. Visit http://pauk.org/ for more information.

 All loops have been created using a large modular synthesizer setup and various analogue effect units.

 Features:

· Crystal clear  samples at 48Khz/24Bit
· Hundreds of new recordings for source material
· 820 total Mb of sounds
· 350+ loops
· Deeply produced, effected and tweaked loops
· Simple and easy to use 3 Tab GUI with FX and tweaking options
· Complete FX section including Stutter, Custom Convolution Reverb, Delay, EQ, Drive, Lo-Fi and more
· All loops automatically sync to your DAW’s tempo

Premium File Contents
NameType
ModulARPS 2.nkc.nkc
ModulARPS 2.nki.nki
ModulARPS 2.nkr.nkr
AUDIOMODERN - ModulARPS 2 [Copyright info and user license agreement].pdf.pdf
Audiomodern_MODULARPS_2_Manual.pdf.pdf
AMM2_BASS_A#_100bpm.wav.wav
AMM2_BASS_A#_106bpm.wav.wav
AMM2_BASS_A#_106bpm_2.wav.wav
AMM2_BASS_A#_106bpm_3.wav.wav
AMM2_BASS_A#_106bpm_4.wav.wav
AMM2_BASS_A#_128bpm.wav.wav
AMM2_BASS_A_106bpm.wav.wav
AMM2_BASS_A_106bpm_2.wav.wav
AMM2_BASS_A_106bpm_3.wav.wav
AMM2_BASS_A_106bpm_4.wav.wav
AMM2_BASS_A_106bpm_5.wav.wav
AMM2_BASS_A_106bpm_6.wav.wav
AMM2_BASS_A_124bpm.wav.wav
AMM2_BASS_B_102bpm.wav.wav
AMM2_BASS_B_102bpm_2.wav.wav
AMM2_BASS_B_102bpm_3.wav.wav
AMM2_BASS_B_102bpm_4.wav.wav
AMM2_BASS_B_102bpm_5.wav.wav
AMM2_BASS_B_102bpm_6.wav.wav
AMM2_BASS_B_128bpm.wav.wav
AMM2_BASS_B_128bpm_2.wav.wav
AMM2_BASS_B_128bpm_3.wav.wav
AMM2_BASS_B_77bpm.wav.wav
AMM2_BASS_C#_124bpm.wav.wav
AMM2_BASS_C#_124bpm_2.wav.wav
AMM2_BASS_C#_124bpm_3.wav.wav
AMM2_BASS_C#_124bpm_4.wav.wav
AMM2_BASS_C#_124bpm_5.wav.wav
AMM2_BASS_C_100bpm.wav.wav
AMM2_BASS_C_102bpm.wav.wav
AMM2_BASS_C_124bpm.wav.wav
AMM2_BASS_C_130bpm.wav.wav
AMM2_BASS_C_130bpm_2.wav.wav
AMM2_BASS_C_130bpm_3.wav.wav
AMM2_BASS_D#_120bpm.wav.wav
AMM2_BASS_D#_120bpm_2.wav.wav
AMM2_BASS_D#_120bpm_3.wav.wav
AMM2_BASS_D#_128bpm.wav.wav
AMM2_BASS_D_100bpm.wav.wav
AMM2_BASS_D_124bpm.wav.wav
AMM2_BASS_D_130bpm.wav.wav
AMM2_BASS_D_130bpm_2.wav.wav
AMM2_BASS_D_130bpm_3.wav.wav
AMM2_BASS_D_130bpm_4.wav.wav
AMM2_BASS_D_130bpm_5.wav.wav
AMM2_BASS_D_130bpm_6.wav.wav
AMM2_BASS_D_136bpm.wav.wav
AMM2_BASS_E_100bpm.wav.wav
AMM2_BASS_E_120bpm.wav.wav
AMM2_BASS_E_120bpm_2.wav.wav
AMM2_BASS_E_120bpm_3.wav.wav
AMM2_BASS_E_120bpm_4.wav.wav
AMM2_BASS_E_120bpm_5.wav.wav
AMM2_BASS_E_126bpm.wav.wav
AMM2_BASS_E_126bpm_2.wav.wav
AMM2_BASS_E_126bpm_3.wav.wav
AMM2_BASS_E_96bpm.wav.wav
AMM2_BASS_F#_100bpm.wav.wav
AMM2_BASS_F#_100bpm_2.wav.wav
AMM2_BASS_F#_100bpm_3.wav.wav
AMM2_BASS_F#_120bpm.wav.wav
AMM2_BASS_F#_120bpm_10.wav.wav
AMM2_BASS_F#_120bpm_11.wav.wav
AMM2_BASS_F#_120bpm_12.wav.wav
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AMM2_BASS_F#_120bpm_5.wav.wav
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AMM2_BASS_F#_120bpm_7.wav.wav
AMM2_BASS_F#_120bpm_8.wav.wav
AMM2_BASS_F#_120bpm_9.wav.wav
AMM2_BASS_F_100bpm.wav.wav
AMM2_BASS_F_130bpm.wav.wav
AMM2_BASS_F_130bpm_2.wav.wav
AMM2_BASS_G#_77bpm.wav.wav
AMM2_BASS_G#_77bpm_2.wav.wav
AMM2_BASS_G#_77bpm_3.wav.wav
AMM2_BASS_G#_77bpm_4.wav.wav
AMM2_BASS_G_120bpm.wav.wav
AMM2_BASS_G_120bpm_2.wav.wav
AMM2_BASS_G_120bpm_3.wav.wav
AMM2_BASS_G_120bpm_4.wav.wav
AMM2_BASS_G_120bpm_5.wav.wav
AMM2_BASS_G_128bpm.wav.wav
AMM2_BASS_G_128bpm_2.wav.wav
AMM2_BASS_G_130bpm.wav.wav
AMM2_BASS_G_130bpm_2.wav.wav
AMM2_BASS_G_130bpm_3.wav.wav
AMM2_BEAT_110bpm.wav.wav
AMM2_BEAT_110bpm_10.wav.wav
AMM2_BEAT_110bpm_11.wav.wav
AMM2_BEAT_110bpm_12.wav.wav
AMM2_BEAT_110bpm_13.wav.wav
AMM2_BEAT_110bpm_2.wav.wav
AMM2_BEAT_110bpm_3.wav.wav
AMM2_BEAT_110bpm_4.wav.wav
AMM2_BEAT_110bpm_5.wav.wav
AMM2_BEAT_110bpm_6.wav.wav
AMM2_BEAT_110bpm_7.wav.wav
AMM2_BEAT_110bpm_8.wav.wav
AMM2_BEAT_110bpm_9.wav.wav
AMM2_BEAT_120bpm.wav.wav
AMM2_BEAT_120bpm_2.wav.wav
AMM2_BEAT_120bpm_3.wav.wav
AMM2_BEAT_120bpm_4.wav.wav
AMM2_BEAT_120bpm_5.wav.wav
AMM2_BEAT_120bpm_6.wav.wav
AMM2_BEAT_120bpm_7.wav.wav
AMM2_BEAT_126bpm.wav.wav
AMM2_BEAT_126bpm_2.wav.wav
AMM2_BEAT_126bpm_3.wav.wav
AMM2_BEAT_126bpm_4.wav.wav
AMM2_BEAT_126bpm_5.wav.wav
AMM2_BEAT_126bpm_6.wav.wav
AMM2_BEAT_128bpm.wav.wav
AMM2_BEAT_130bpm.wav.wav
AMM2_BEAT_130bpm_2.wav.wav
AMM2_BEAT_130bpm_3.wav.wav
AMM2_BEAT_130bpm_4.wav.wav
AMM2_BEAT_130bpm_5.wav.wav
AMM2_BEAT_130bpm_6.wav.wav
AMM2_BEAT_130bpm_7.wav.wav
AMM2_BEAT_130bpm_8.wav.wav
AMM2_BEAT_130bpm_9.wav.wav
AMM2_BEAT_134bpm.wav.wav
AMM2_BEAT_134bpm_10.wav.wav
AMM2_BEAT_134bpm_11.wav.wav
AMM2_BEAT_134bpm_12.wav.wav
AMM2_BEAT_134bpm_13.wav.wav
AMM2_BEAT_134bpm_14.wav.wav
AMM2_BEAT_134bpm_15.wav.wav
AMM2_BEAT_134bpm_16.wav.wav
AMM2_BEAT_134bpm_17.wav.wav
AMM2_BEAT_134bpm_18.wav.wav
AMM2_BEAT_134bpm_19.wav.wav
AMM2_BEAT_134bpm_2.wav.wav
AMM2_BEAT_134bpm_20.wav.wav
AMM2_BEAT_134bpm_21.wav.wav
AMM2_BEAT_134bpm_22.wav.wav
AMM2_BEAT_134bpm_23.wav.wav
AMM2_BEAT_134bpm_24.wav.wav
AMM2_BEAT_134bpm_3.wav.wav
AMM2_BEAT_134bpm_4.wav.wav
AMM2_BEAT_134bpm_5.wav.wav
AMM2_BEAT_134bpm_6.wav.wav
AMM2_BEAT_134bpm_7.wav.wav
AMM2_BEAT_134bpm_8.wav.wav
AMM2_BEAT_134bpm_9.wav.wav
AMM2_BONUS_102bpm.wav.wav
AMM2_BONUS_102bpm_10.wav.wav
AMM2_BONUS_102bpm_11.wav.wav
AMM2_BONUS_102bpm_12.wav.wav
AMM2_BONUS_102bpm_2.wav.wav
AMM2_BONUS_102bpm_3.wav.wav
AMM2_BONUS_102bpm_4.wav.wav
AMM2_BONUS_102bpm_5.wav.wav
AMM2_BONUS_102bpm_6.wav.wav
AMM2_BONUS_102bpm_7.wav.wav
AMM2_BONUS_102bpm_8.wav.wav
AMM2_BONUS_102bpm_9.wav.wav
AMM2_BONUS_120bpm.wav.wav
AMM2_BONUS_A#_102bpm.wav.wav
AMM2_BONUS_A#_102bpm_2.wav.wav
AMM2_BONUS_A_102bpm.wav.wav
AMM2_BONUS_B_102bpm.wav.wav
AMM2_BONUS_D_102bpm.wav.wav
AMM2_BONUS_D_102bpm_2.wav.wav
AMM2_BONUS_G_102bpm.wav.wav
AMM2_BONUS_G_102bpm_2.wav.wav
AMM2_MUS_A#_77bpm.wav.wav
AMM2_MUS_A#_77bpm_2.wav.wav
AMM2_MUS_A#_77bpm_3.wav.wav
AMM2_MUS_A#_77bpm_4.wav.wav
AMM2_MUS_A#_77bpm_5.wav.wav
AMM2_MUS_A#_77bpm_6.wav.wav
AMM2_MUS_A#_77bpm_7.wav.wav
AMM2_MUS_A#_77bpm_8.wav.wav
AMM2_MUS_A#_77bpm_9.wav.wav
AMM2_MUS_B_120bpm.wav.wav
AMM2_MUS_B_120bpm_10.wav.wav
AMM2_MUS_B_120bpm_11.wav.wav
AMM2_MUS_B_120bpm_12.wav.wav
AMM2_MUS_B_120bpm_13.wav.wav
AMM2_MUS_B_120bpm_14.wav.wav
AMM2_MUS_B_120bpm_15.wav.wav
AMM2_MUS_B_120bpm_16.wav.wav
AMM2_MUS_B_120bpm_17.wav.wav
AMM2_MUS_B_120bpm_2.wav.wav
AMM2_MUS_B_120bpm_3.wav.wav
AMM2_MUS_B_120bpm_4.wav.wav
AMM2_MUS_B_120bpm_5.wav.wav
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AMM2_MUS_B_120bpm_7.wav.wav
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AMM2_MUS_B_120bpm_9.wav.wav
AMM2_MUS_B_124bpm.wav.wav
AMM2_MUS_C_120bpm.wav.wav
AMM2_MUS_C_120bpm_2.wav.wav
AMM2_MUS_C_120bpm_3.wav.wav
AMM2_MUS_C_120bpm_4.wav.wav
AMM2_MUS_C_124bpm.wav.wav
AMM2_MUS_C_124bpm_2.wav.wav
AMM2_MUS_C_124bpm_3.wav.wav
AMM2_MUS_C_124bpm_4.wav.wav
AMM2_MUS_C_124bpm_5.wav.wav
AMM2_MUS_C_130bpm.wav.wav
AMM2_MUS_C_130bpm_2.wav.wav
AMM2_MUS_C_130bpm_3.wav.wav
AMM2_MUS_C_130bpm_4.wav.wav
AMM2_MUS_D#_138bpm.wav.wav
AMM2_MUS_D_124bpm.wav.wav
AMM2_MUS_D_124bpm_2.wav.wav
AMM2_MUS_F#_120bpm.wav.wav
AMM2_MUS_F#_120bpm_2.wav.wav
AMM2_MUS_F#_120bpm_3.wav.wav
AMM2_MUS_F#_120bpm_4.wav.wav
AMM2_MUS_F#_120bpm_5.wav.wav
AMM2_MUS_F#_120bpm_6.wav.wav
AMM2_MUS_F#_120bpm_7.wav.wav
AMM2_MUS_F#_120bpm_8.wav.wav
AMM2_MUS_F#_120bpm_9.wav.wav
AMM2_MUS_F#_130bpm.wav.wav
AMM2_MUS_F#_130bpm_2.wav.wav
AMM2_MUS_F#_130bpm_3.wav.wav
AMM2_MUS_F#_130bpm_4.wav.wav
AMM2_MUS_F#_130bpm_5.wav.wav
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AMM2_NOISE_70bpm.wav.wav
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AMM2_SEQ_G#_134bpm.wav.wav
AMM2_SEQ_G#_92bpm.wav.wav
AMM2_SEQ_G#_92bpm_2.wav.wav
AMM2_SEQ_G#_96bpm.wav.wav
AMM2_SEQ_G#_96bpm_2.wav.wav
AMM2_SHOT_1.wav.wav
AMM2_SHOT_10.wav.wav
AMM2_SHOT_11.wav.wav
AMM2_SHOT_12.wav.wav
AMM2_SHOT_13.wav.wav
AMM2_SHOT_14.wav.wav
AMM2_SHOT_15.wav.wav
AMM2_SHOT_16.wav.wav
AMM2_SHOT_17.wav.wav
AMM2_SHOT_18.wav.wav
AMM2_SHOT_19.wav.wav
AMM2_SHOT_2.wav.wav
AMM2_SHOT_20.wav.wav
AMM2_SHOT_21.wav.wav
AMM2_SHOT_22.wav.wav
AMM2_SHOT_23.wav.wav
AMM2_SHOT_24.wav.wav
AMM2_SHOT_25.wav.wav
AMM2_SHOT_26.wav.wav
AMM2_SHOT_27.wav.wav
AMM2_SHOT_28.wav.wav
AMM2_SHOT_29.wav.wav
AMM2_SHOT_3.wav.wav
AMM2_SHOT_30.wav.wav
AMM2_SHOT_31.wav.wav
AMM2_SHOT_32.wav.wav
AMM2_SHOT_33.wav.wav
AMM2_SHOT_34.wav.wav
AMM2_SHOT_35.wav.wav
AMM2_SHOT_36.wav.wav
AMM2_SHOT_37.wav.wav
AMM2_SHOT_38.wav.wav
AMM2_SHOT_39.wav.wav
AMM2_SHOT_4.wav.wav
AMM2_SHOT_40.wav.wav
AMM2_SHOT_41.wav.wav
AMM2_SHOT_42.wav.wav
AMM2_SHOT_43.wav.wav
AMM2_SHOT_44.wav.wav
AMM2_SHOT_5.wav.wav
AMM2_SHOT_6.wav.wav
AMM2_SHOT_7.wav.wav
AMM2_SHOT_8.wav.wav
AMM2_SHOT_9.wav.wav
AMM2_SNTH_A#_124bpm.wav.wav
AMM2_SNTH_A#_124bpm_2.wav.wav
AMM2_SNTH_A_130bpm.wav.wav
AMM2_SNTH_A_130bpm_2.wav.wav
AMM2_SNTH_A_130bpm_3.wav.wav
AMM2_SNTH_B_106bpm.wav.wav
AMM2_SNTH_C_100bpm.wav.wav
AMM2_SNTH_C_100bpm_2.wav.wav
AMM2_SNTH_C_100bpm_3.wav.wav
AMM2_SNTH_C_100bpm_4.wav.wav
AMM2_SNTH_C_100bpm_5.wav.wav
AMM2_SNTH_C_100bpm_6.wav.wav
AMM2_SNTH_C_100bpm_7.wav.wav
AMM2_SNTH_C_100bpm_8.wav.wav
AMM2_SNTH_C_100bpm_9.wav.wav
AMM2_SNTH_C_128bpm.wav.wav
AMM2_SNTH_C_128bpm_2.wav.wav
AMM2_SNTH_D#_120bpm.wav.wav
AMM2_SNTH_D#_120bpm_10.wav.wav
AMM2_SNTH_D#_120bpm_11.wav.wav
AMM2_SNTH_D#_120bpm_2.wav.wav
AMM2_SNTH_D#_120bpm_3.wav.wav
AMM2_SNTH_D#_120bpm_4.wav.wav
AMM2_SNTH_D#_120bpm_5.wav.wav
AMM2_SNTH_D#_120bpm_6.wav.wav
AMM2_SNTH_D#_120bpm_7.wav.wav
AMM2_SNTH_D#_120bpm_8.wav.wav
AMM2_SNTH_D#_120bpm_9.wav.wav
AMM2_SNTH_D#_124bpm.wav.wav
AMM2_SNTH_D#_124bpm_2.wav.wav
AMM2_SNTH_D_100bpm.wav.wav
AMM2_SNTH_D_100bpm_2.wav.wav
AMM2_SNTH_F_100bpm.wav.wav
AMM2_SYNTH_A#_106bpm.wav.wav
AMM2_SYNTH_C#_106bpm.wav.wav
AMM2_SYNTH_C#_106bpm_2.wav.wav
AMM2_SYNTH_C#_106bpm_3.wav.wav
AMM2_SYNTH_C#_120bpm.wav.wav
AMM2_SYNTH_C#_130bpm.wav.wav
AMM2_SYNTH_C#_130bpm_2.wav.wav
AMM2_SYNTH_C#_130bpm_3.wav.wav
AMM2_SYNTH_D#_106bpm.wav.wav
AMM2_SYNTH_D#_106bpm_2.wav.wav
AMM2_SYNTH_D#_130bpm.wav.wav
AMM2_SYNTH_D#_130bpm_2.wav.wav
AMM2_SYNTH_D#_130bpm_3.wav.wav
AMM2_SYNTH_D#_130bpm_4.wav.wav
AMM2_SYNTH_D#_130bpm_5.wav.wav
AMM2_SYNTH_D#_130bpm_6.wav.wav
AMM2_SYNTH_F#_130bpm.wav.wav
AMM2_SYNTH_F_120bpm.wav.wav
AMM2_SYNTH_F_120bpm_2.wav.wav
AMM2_SYNTH_F_120bpm_3.wav.wav
AMM2_SYNTH_F_120bpm_4.wav.wav
AMM2_SYNTH_F_120bpm_5.wav.wav
AMM2_SYNTH_F_120bpm_6.wav.wav
AMM2_SYNTH_G_130bpm.wav.wav
1 Lexicon.wav.wav

Minimum version required 5.3
Compatible with FULL VERSION
Number of sounds 350+
Number of Instruments 1

Genres