Synthmob: Vandalism’s Free Sylenth1 Pack is a tool that makes a lot of sense to producers looking for quality samples for their music. The pack, developed for LennarDigital’s Sylenth1, represents the strength of sound design and imaginative possibility. It contains a variety of patches to cater to today’s music-making needs. Whether it’s electronic dance music, pop, or film scores, this freebie gives you access to sonic riches.
The pack comes with a carefully selected set of presets that highlight Sylenth1’s powerful synthesis engine. Vandalism has worked to create patches that are fully exploitable with Sylenth1’s own oscillators, filters and modulation possibilities. The sounds aren’t stock, they’re rich, dense and convenient in a way that would allow it to fit across genres and production types. Because of this quality control, the pack is a must-have resource for both novice and expert producers alike.
The presets are all available in the pack and are instantly usable — no complicated settings needed. But there is still a lot of room for individualization in the patches. Its easy for producers to customize the presets as per their own need by editing envelopes, filters and effects. That’s the nice balance of the out-of-the-box functionality and creativity behind Vandalism’s sound design, and the pack is an invaluable creative tool for workflows.
This pack has some cool sounds in it. It’s got basses pounding through the mix, leads that slice with precision, and pads that give it atmosphere. There are also plucks and arpeggios in the pack that would be perfect for melodic growth. They are the sounds of today’s production but with an older-school quality to them so that they will continue to work on ever changing musical landscapes.
Sylenth1 has always been known for its warm, analog-ish character, and this pack certainly plays to that. Vandalism has made use of the synth’s abilities to produce presets that don’t just sound great, they sound natural and fleshy. The patches show Sylenth1’s weaknesses, like its capacity to make lush, rich harmonics, or its sonic flexibility to tackle low and high-fidelity environments.
Not just the sound, but also the production’s practicality. Presets are organized logically so you can find the sounds you want very quickly. It organizes the creative process, which lets producers get on with making music and not tossing things off the shelf. This pack is also thoughtfully laid out and makes the whole package very easy to use.
The pack is also a perfect example of how collaboration and sharing are so important in the creative industry. Synthmob’s website acts as a community for tools such as this, matching creators with resources and allowing support for each other. This kind of thing not only feeds individual producers but it also makes the music that goes out there better. This free but professional-quality tool such as this is evidence of the emerging trend of open innovation in music technology.
Another cool thing about the pack is that it can also be used as a primer for wannabe sound designers. The reverse engineering of the presets can be done if users look at the methods of creating them. This didactic part enables producers to create their own sounds and learn about synthesis. : For people who want to get to know Sylenth1, presets like these can help get a better understanding of the instrument.
Incorporating Vandalism’s Free Sylenth1 Pack into the Synthmob platform makes explicit the collaboration between producers and distributors. It’s a model that is good for the creators of these high-quality presets as well as the community of users that receive them. The partnership helps in spreading the brand’s image and consolidates Synthmob’s position as a resource leader in the music production space.
This pack is the best combination of design and practicality. In offering a collection of sounds that are inspiring and usable, Vandalism and Synthmob have made a tool that goes far beyond soundbanks. And it’s proof of how design and openness can help producers create their artistic vision in less constraint.