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THE ONE: Slamming FX Hits

Presenting THE ONE: Slamming FX Hits, a massive collection of hardhitting FX samples.

THE ONE: Slamming FX Hits comes with 67 different FX sounds, all at 3 different lengths. This gives you a number of 201 samples.
But hey, we don't stop there. All different versions comes with both a dry and a wet version with post effects applied.
This gives you a stunning final number of 402 FX samples in total!
Yet this isn't even all of it - don't forget all of the bonus content from the demo song.
The soundbank is both available with a .wav-file version and an .aiff-file version (bonus files are still in .wav-format).

All sounds are at studio quality - 96 kHz/24-bit, and contain the necessary headroom for a professional sounding production.
For those who can't deal with 96 kHz quality - there is a 44.1 kHz-version of the product as well.
More than this, no ridiculous amount of processing have been applied to these samples - no squashing compression, no overexaggerated highpassing, etc.
In these samples you'll only find a basic highpass way down in the frequency spectrum, so you may quickly drag and drop the sample into your track without worrying about any rumbling, plus some very simple tone balancing to make it sound balanced from the start, and some very passive compression to create a good transient.
In other words, all samples are clean, and the only processing is for the sounddesign itself, more than any mixing purposes.

The creator of these samples is a signed designer for famous brands.
The sounddesign for these samples are mostly quite advanced, so these are no samples you would expect to be able to craft yourself, and you may expect a very groundbreaking impression when browsing through this sound library, so this will give your music edge cutting quality and innovation and will make you stand out more from your competitors in the soaked music industry.
Not only are these samples advanced, but contain a huge amount of energy, as well as sound fat, dense, and wide.

Imagine dropping one of these samples in the drop/breakdown of your track, or the start of a massive anthem melody - on the main stage in front of hundreds to thousands of people. It gives you the chills already, doesn't it?
So give your competitors a slap in the face, and make the crowd scream - and get this soundbank now!

Hear the demo and get inspired! The demo showcases a good number of the sounds and their potential.

In Slamming FX Hits you get:
 - 67 different FX samples
     - 3 different lengths
         - a dry and wet version of each sample/length

Bonus:
 - PDF of what presets were used in the demo, as well as info of which freeware thirdparty plugins that were used
 - The demo as an MP3
 - 5 NI Massive Presets
 - 18 WAVs
 - 8 MIDIs

Premium File Contents
FILES
./BONUS CONTENT:
INFO_SlammingFXHits.pdf
MIDI
PRESETS
THE ONE Slamming FX Hits - DEMO.mp3
WAV
./BONUS CONTENT/MIDI:
Bigroom Lead Score.mid
Pad Score.mid
Pluck Score.mid
Saw Score.mid
Secondary Bass Score.mid
Supersaw A.mid
Supersaw B.mid
Supersaw C.mid
./BONUS CONTENT/PRESETS:
Bass 1.nmsv
Bass 2.nmsv
Bigroom Lead.nmsv
Pluck.nmsv
Supersaw.nmsv
./BONUS CONTENT/WAV:
Bigroom Lead - Dry.wav
Bigroom Lead - Wet.wav
Bright Tapestop - Reversed.wav
Pad.wav
Riser [Unpitched].wav
Riser.wav
Saw - Dry.wav
Saw - Wet.wav
Supersaw A - Dry.wav
Supersaw A - Wet.wav
Supersaw B - Dry.wav
Supersaw B - Wet.wav
Supersaw C - Dry.wav
Supersaw C - Wet.wav
Supersaw D - Dry.wav
Supersaw D - Wet.wav
Supersaw E - Dry.wav
Supersaw E - Wet.wav
./INFO:
DOCUMENTS
LINKS
./INFO/DOCUMENTS:
EULA.pdf
READ ME.pdf
./INFO/LINKS:
Facebook.htm
Soundcloud.htm
Twitter.htm
YouTube.htm
./SAMPLES:
Dry
Wet
./SAMPLES/Dry:
Abnormal_Dry_128BPM_KeyC_SH (1).wav
Abnormal_Dry_128BPM_KeyC_SH (2).wav
Abnormal_Dry_128BPM_KeyC_SH (3).wav
Advanced_Dry_128BPM_KeyC_SH (1).wav
Advanced_Dry_128BPM_KeyC_SH (2).wav
Advanced_Dry_128BPM_KeyC_SH (3).wav
Airy_Dry_128BPM_KeyC_SH (1).wav
Airy_Dry_128BPM_KeyC_SH (2).wav
Airy_Dry_128BPM_KeyC_SH (3).wav
Basic Sweep_Dry_128BPM_KeyC_SH (1).wav
Basic Sweep_Dry_128BPM_KeyC_SH (2).wav
Basic Sweep_Dry_128BPM_KeyC_SH (3).wav
Bass Drop_Dry_128BPM_KeyC_SH (1).wav
Bass Drop_Dry_128BPM_KeyC_SH (2).wav
Bass Drop_Dry_128BPM_KeyC_SH (3).wav
Binary_Dry_128BPM_KeyC_SH (1).wav
Binary_Dry_128BPM_KeyC_SH (2).wav
Binary_Dry_128BPM_KeyC_SH (3).wav
Bright Tapestop_Dry_128BPM_KeyC_SH (1).wav
Bright Tapestop_Dry_128BPM_KeyC_SH (2).wav
Bright Tapestop_Dry_128BPM_KeyC_SH (3).wav
Broken Chainsaw_Dry_128BPM_KeyC_SH (1).wav
Broken Chainsaw_Dry_128BPM_KeyC_SH (2).wav
Broken Chainsaw_Dry_128BPM_KeyC_SH (3).wav
Broken_Dry_128BPM_KeyC_SH (1).wav
Broken_Dry_128BPM_KeyC_SH (2).wav
Broken_Dry_128BPM_KeyC_SH (3).wav
Classic Noise_Dry_128BPM_KeyC_SH (1).wav
Classic Noise_Dry_128BPM_KeyC_SH (2).wav
Classic Noise_Dry_128BPM_KeyC_SH (3).wav
Cool_Dry_128BPM_KeyC_SH (1).wav
Cool_Dry_128BPM_KeyC_SH (2).wav
Cool_Dry_128BPM_KeyC_SH (3).wav
Corny_Dry_128BPM_KeyG_SH (1).wav
Corny_Dry_128BPM_KeyG_SH (2).wav
Corny_Dry_128BPM_KeyG_SH (3).wav
Crushed Ice_Dry_128BPM_KeyC_SH (1).wav
Crushed Ice_Dry_128BPM_KeyC_SH (2).wav
Crushed Ice_Dry_128BPM_KeyC_SH (3).wav
Crushing Noise_Dry_128BPM_KeyC_SH (1).wav
Crushing Noise_Dry_128BPM_KeyC_SH (2).wav
Crushing Noise_Dry_128BPM_KeyC_SH (3).wav
Dark_Dry_128BPM_KeyC_SH (1).wav
Dark_Dry_128BPM_KeyC_SH (2).wav
Dark_Dry_128BPM_KeyC_SH (3).wav
Dissonance_Dry_128BPM_KeyC_SH (1).wav
Dissonance_Dry_128BPM_KeyC_SH (2).wav
Dissonance_Dry_128BPM_KeyC_SH (3).wav
Drag_Dry_128BPM_KeyC_SH (1).wav
Drag_Dry_128BPM_KeyC_SH (2).wav
Drag_Dry_128BPM_KeyC_SH (3).wav
Dropping_Dry_128BPM_KeyC_SH (1).wav
Dropping_Dry_128BPM_KeyC_SH (2).wav
Dropping_Dry_128BPM_KeyC_SH (3).wav
Dying Machine_Dry_128BPM_KeyC_SH (1).wav
Dying Machine_Dry_128BPM_KeyC_SH (2).wav
Dying Machine_Dry_128BPM_KeyC_SH (3).wav
Elevation_Dry_128BPM_KeyC_SH (1).wav
Elevation_Dry_128BPM_KeyC_SH (2).wav
Elevation_Dry_128BPM_KeyC_SH (3).wav
Fatness_Dry_128BPM_KeyC_SH (1).wav
Fatness_Dry_128BPM_KeyC_SH (2).wav
Fatness_Dry_128BPM_KeyC_SH (3).wav
Filter_Dry_128BPM_KeyC_SH (1).wav
Filter_Dry_128BPM_KeyC_SH (2).wav
Filter_Dry_128BPM_KeyC_SH (3).wav
Fundament_Dry_128BPM_KeyC_SH (1).wav
Fundament_Dry_128BPM_KeyC_SH (2).wav
Fundament_Dry_128BPM_KeyC_SH (3).wav
Growl_Dry_128BPM_KeyG_SH (1).wav
Growl_Dry_128BPM_KeyG_SH (2).wav
Growl_Dry_128BPM_KeyG_SH (3).wav
Harsh_Dry_128BPM_KeyC_SH (1).wav
Harsh_Dry_128BPM_KeyC_SH (2).wav
Harsh_Dry_128BPM_KeyC_SH (3).wav
Haunting_Dry_128BPM_KeyC_SH (1).wav
Haunting_Dry_128BPM_KeyC_SH (2).wav
Haunting_Dry_128BPM_KeyC_SH (3).wav
Huge Machine_Dry_128BPM_KeyC_SH (1).wav
Huge Machine_Dry_128BPM_KeyC_SH (2).wav
Huge Machine_Dry_128BPM_KeyC_SH (3).wav
Laser_Dry_128BPM_KeyC_SH (1).wav
Laser_Dry_128BPM_KeyC_SH (2).wav
Laser_Dry_128BPM_KeyC_SH (3).wav
Massive_Dry_128BPM_KeyC_SH (1).wav
Massive_Dry_128BPM_KeyC_SH (2).wav
Massive_Dry_128BPM_KeyC_SH (3).wav
Metal_Dry_128BPM_KeyC_SH (1).wav
Metal_Dry_128BPM_KeyC_SH (2).wav
Metal_Dry_128BPM_KeyC_SH (3).wav
Metallic_Dry_128BPM_KeyC_SH (1).wav
Metallic_Dry_128BPM_KeyC_SH (2).wav
Metallic_Dry_128BPM_KeyC_SH (3).wav
Moving Noise_Dry_128BPM_KeyC_SH (1).wav
Moving Noise_Dry_128BPM_KeyC_SH (2).wav
Moving Noise_Dry_128BPM_KeyC_SH (3).wav
Neat Sweep_Dry_128BPM_KeyC_SH (1).wav
Neat Sweep_Dry_128BPM_KeyC_SH (2).wav
Neat Sweep_Dry_128BPM_KeyC_SH (3).wav
Nerf Gun_Dry_128BPM_KeyC_SH (1).wav
Nerf Gun_Dry_128BPM_KeyC_SH (2).wav
Nerf Gun_Dry_128BPM_KeyC_SH (3).wav
Over 9000_Dry_128BPM_KeyC_SH (1).wav
Over 9000_Dry_128BPM_KeyC_SH (2).wav
Over 9000_Dry_128BPM_KeyC_SH (3).wav
Overkill_Dry_128BPM_KeyC_SH (1).wav
Overkill_Dry_128BPM_KeyC_SH (2).wav
Overkill_Dry_128BPM_KeyC_SH (3).wav
Pad_Dry_128BPM_KeyC_SH (1).wav
Pad_Dry_128BPM_KeyC_SH (2).wav
Pad_Dry_128BPM_KeyC_SH (3).wav
Poly_Dry_128BPM_KeyC_SH (1).wav
Poly_Dry_128BPM_KeyC_SH (2).wav
Poly_Dry_128BPM_KeyC_SH (3).wav
Prism_Dry_128BPM_KeyC_SH (1).wav
Prism_Dry_128BPM_KeyC_SH (2).wav
Prism_Dry_128BPM_KeyC_SH (3).wav
Raw_Dry_128BPM_KeyC_SH (1).wav
Raw_Dry_128BPM_KeyC_SH (2).wav
Raw_Dry_128BPM_KeyC_SH (3).wav
Reezy_Dry_128BPM_KeyC_SH (1).wav
Reezy_Dry_128BPM_KeyC_SH (2).wav
Reezy_Dry_128BPM_KeyC_SH (3).wav
Rich_Dry_128BPM_KeyC_SH (1).wav
Rich_Dry_128BPM_KeyC_SH (2).wav
Rich_Dry_128BPM_KeyC_SH (3).wav
Sawish_Dry_128BPM_KeyC_SH (1).wav
Sawish_Dry_128BPM_KeyC_SH (2).wav
Sawish_Dry_128BPM_KeyC_SH (3).wav
Scratchy_Dry_128BPM_KeyC_SH (1).wav
Scratchy_Dry_128BPM_KeyC_SH (2).wav
Scratchy_Dry_128BPM_KeyC_SH (3).wav
Sneaker_Dry_128BPM_KeyC_SH (1).wav
Sneaker_Dry_128BPM_KeyC_SH (2).wav
Sneaker_Dry_128BPM_KeyC_SH (3).wav
Spitting_Dry_128BPM_KeyC_SH (1).wav
Spitting_Dry_128BPM_KeyC_SH (2).wav
Spitting_Dry_128BPM_KeyC_SH (3).wav
Squarish A_Dry_128BPM_KeyC_SH (1).wav
Squarish A_Dry_128BPM_KeyC_SH (2).wav
Squarish A_Dry_128BPM_KeyC_SH (3).wav
Squarish B_Dry_128BPM_KeyC_SH (1).wav
Squarish B_Dry_128BPM_KeyC_SH (2).wav
Squarish B_Dry_128BPM_KeyC_SH (3).wav
Squeek_Dry_128BPM_KeyC_SH (1).wav
Squeek_Dry_128BPM_KeyC_SH (2).wav
Squeek_Dry_128BPM_KeyC_SH (3).wav
Steppy Noise_Dry_128BPM_KeyC_SH (1).wav
Steppy Noise_Dry_128BPM_KeyC_SH (2).wav
Steppy Noise_Dry_128BPM_KeyC_SH (3).wav
Stuttering Supersaw_Dry_128BPM_KeyC_SH (1).wav
Stuttering Supersaw_Dry_128BPM_KeyC_SH (2).wav
Stuttering Supersaw_Dry_128BPM_KeyC_SH (3).wav
Suave_Dry_128BPM_KeyC_SH (1).wav
Suave_Dry_128BPM_KeyC_SH (2).wav
Suave_Dry_128BPM_KeyC_SH (3).wav
Swirl_Dry_128BPM_KeyC_SH (1).wav
Swirl_Dry_128BPM_KeyC_SH (2).wav
Swirl_Dry_128BPM_KeyC_SH (3).wav
Tapestop Machine_Dry_128BPM_KeyC_SH (1).wav
Tapestop Machine_Dry_128BPM_KeyC_SH (2).wav
Tapestop Machine_Dry_128BPM_KeyC_SH (3).wav
The Future_Dry_128BPM_KeyC_SH (1).wav
The Future_Dry_128BPM_KeyC_SH (2).wav
The Future_Dry_128BPM_KeyC_SH (3).wav
The Killer_Dry_128BPM_KeyC_SH (1).wav
The Killer_Dry_128BPM_KeyC_SH (2).wav
The Killer_Dry_128BPM_KeyC_SH (3).wav
Thunder_Dry_128BPM_KeyC_SH (1).wav
Thunder_Dry_128BPM_KeyC_SH (2).wav
Thunder_Dry_128BPM_KeyC_SH (3).wav
Time Machine_Dry_128BPM_KeyC_SH (1).wav
Time Machine_Dry_128BPM_KeyC_SH (2).wav
Time Machine_Dry_128BPM_KeyC_SH (3).wav
UFO Engine_Dry_128BPM_KeyC_SH (1).wav
UFO Engine_Dry_128BPM_KeyC_SH (2).wav
UFO Engine_Dry_128BPM_KeyC_SH (3).wav
Unison Phase_Dry_128BPM_KeyG_SH (1).wav
Unison Phase_Dry_128BPM_KeyG_SH (2).wav
Unison Phase_Dry_128BPM_KeyG_SH (3).wav
Vowel_Dry_128BPM_KeyC_SH (1).wav
Vowel_Dry_128BPM_KeyC_SH (2).wav
Vowel_Dry_128BPM_KeyC_SH (3).wav
Water_Dry_128BPM_KeyC_SH (1).wav
Water_Dry_128BPM_KeyC_SH (2).wav
Water_Dry_128BPM_KeyC_SH (3).wav
Weakness_Dry_128BPM_KeyC_SH (1).wav
Weakness_Dry_128BPM_KeyC_SH (2).wav
Weakness_Dry_128BPM_KeyC_SH (3).wav
Wobbly_Dry_128BPM_KeyC_SH (1).wav
Wobbly_Dry_128BPM_KeyC_SH (2).wav
Wobbly_Dry_128BPM_KeyC_SH (3).wav
Woody_Dry_128BPM_KeyC_SH (1).wav
Woody_Dry_128BPM_KeyC_SH (2).wav
Woody_Dry_128BPM_KeyC_SH (3).wav
Year 3000_Dry_128BPM_KeyC_SH (1).wav
Year 3000_Dry_128BPM_KeyC_SH (2).wav
Year 3000_Dry_128BPM_KeyC_SH (3).wav
Zipper_Dry_128BPM_KeyC_SH (1).wav
Zipper_Dry_128BPM_KeyC_SH (2).wav
Zipper_Dry_128BPM_KeyC_SH (3).wav
./SAMPLES/Wet:
Abnormal_Wet_128BPM_KeyC_SH (1).wav
Abnormal_Wet_128BPM_KeyC_SH (2).wav
Abnormal_Wet_128BPM_KeyC_SH (3).wav
Advanced_Wet_128BPM_KeyC_SH (1).wav
Advanced_Wet_128BPM_KeyC_SH (2).wav
Advanced_Wet_128BPM_KeyC_SH (3).wav
Airy_Wet_128BPM_KeyC_SH (1).wav
Airy_Wet_128BPM_KeyC_SH (2).wav
Airy_Wet_128BPM_KeyC_SH (3).wav
Basic Sweep_Wet_128BPM_KeyC_SH (1).wav
Basic Sweep_Wet_128BPM_KeyC_SH (2).wav
Basic Sweep_Wet_128BPM_KeyC_SH (3).wav
Bass Drop_Wet_128BPM_KeyC_SH (1).wav
Bass Drop_Wet_128BPM_KeyC_SH (2).wav
Bass Drop_Wet_128BPM_KeyC_SH (3).wav
Binary_Wet_128BPM_KeyC_SH (1).wav
Binary_Wet_128BPM_KeyC_SH (2).wav
Binary_Wet_128BPM_KeyC_SH (3).wav
Bright Tapestop_Wet_128BPM_KeyC_SH (1).wav
Bright Tapestop_Wet_128BPM_KeyC_SH (2).wav
Bright Tapestop_Wet_128BPM_KeyC_SH (3).wav
Broken Chainsaw_Wet_128BPM_KeyC_SH (1).wav
Broken Chainsaw_Wet_128BPM_KeyC_SH (2).wav
Broken Chainsaw_Wet_128BPM_KeyC_SH (3).wav
Broken_Wet_128BPM_KeyC_SH (1).wav
Broken_Wet_128BPM_KeyC_SH (2).wav
Broken_Wet_128BPM_KeyC_SH (3).wav
Classic Noise_Wet_128BPM_KeyC_SH (1).wav
Classic Noise_Wet_128BPM_KeyC_SH (2).wav
Classic Noise_Wet_128BPM_KeyC_SH (3).wav
Cool_Wet_128BPM_KeyC_SH (1).wav
Cool_Wet_128BPM_KeyC_SH (2).wav
Cool_Wet_128BPM_KeyC_SH (3).wav
Corny_Wet_128BPM_KeyG_SH (1).wav
Corny_Wet_128BPM_KeyG_SH (2).wav
Corny_Wet_128BPM_KeyG_SH (3).wav
Crushed Ice_Wet_128BPM_KeyC_SH (1).wav
Crushed Ice_Wet_128BPM_KeyC_SH (2).wav
Crushed Ice_Wet_128BPM_KeyC_SH (3).wav
Crushing Noise_Wet_128BPM_KeyC_SH (1).wav
Crushing Noise_Wet_128BPM_KeyC_SH (2).wav
Crushing Noise_Wet_128BPM_KeyC_SH (3).wav
Dark_Wet_128BPM_KeyC_SH (1).wav
Dark_Wet_128BPM_KeyC_SH (2).wav
Dark_Wet_128BPM_KeyC_SH (3).wav
Dissonance_Wet_128BPM_KeyC_SH (1).wav
Dissonance_Wet_128BPM_KeyC_SH (2).wav
Dissonance_Wet_128BPM_KeyC_SH (3).wav
Drag_Wet_128BPM_KeyC_SH (1).wav
Drag_Wet_128BPM_KeyC_SH (2).wav
Drag_Wet_128BPM_KeyC_SH (3).wav
Dropping_Wet_128BPM_KeyC_SH (1).wav
Dropping_Wet_128BPM_KeyC_SH (2).wav
Dropping_Wet_128BPM_KeyC_SH (3).wav
Dying Machine_Wet_128BPM_KeyC_SH (1).wav
Dying Machine_Wet_128BPM_KeyC_SH (2).wav
Dying Machine_Wet_128BPM_KeyC_SH (3).wav
Elevation_Wet_128BPM_KeyC_SH (1).wav
Elevation_Wet_128BPM_KeyC_SH (2).wav
Elevation_Wet_128BPM_KeyC_SH (3).wav
Fatness_Wet_128BPM_KeyC_SH (1).wav
Fatness_Wet_128BPM_KeyC_SH (2).wav
Fatness_Wet_128BPM_KeyC_SH (3).wav
Filter_Wet_128BPM_KeyC_SH (1).wav
Filter_Wet_128BPM_KeyC_SH (2).wav
Filter_Wet_128BPM_KeyC_SH (3).wav
Fundament_Wet_128BPM_KeyC_SH (1).wav
Fundament_Wet_128BPM_KeyC_SH (2).wav
Fundament_Wet_128BPM_KeyC_SH (3).wav
Growl_Wet_128BPM_KeyG_SH (1).wav
Growl_Wet_128BPM_KeyG_SH (2).wav
Growl_Wet_128BPM_KeyG_SH (3).wav
Harsh_Wet_128BPM_KeyC_SH (1).wav
Harsh_Wet_128BPM_KeyC_SH (2).wav
Harsh_Wet_128BPM_KeyC_SH (3).wav
Haunting_Wet_128BPM_KeyC_SH (1).wav
Haunting_Wet_128BPM_KeyC_SH (2).wav
Haunting_Wet_128BPM_KeyC_SH (3).wav
Huge Machine_Wet_128BPM_KeyC_SH (1).wav
Huge Machine_Wet_128BPM_KeyC_SH (2).wav
Huge Machine_Wet_128BPM_KeyC_SH (3).wav
Laser_Wet_128BPM_KeyC_SH (1).wav
Laser_Wet_128BPM_KeyC_SH (2).wav
Laser_Wet_128BPM_KeyC_SH (3).wav
Massive_Wet_128BPM_KeyC_SH (1).wav
Massive_Wet_128BPM_KeyC_SH (2).wav
Massive_Wet_128BPM_KeyC_SH (3).wav
Metal_Wet_128BPM_KeyC_SH (1).wav
Metal_Wet_128BPM_KeyC_SH (2).wav
Metal_Wet_128BPM_KeyC_SH (3).wav
Metallic_Wet_128BPM_KeyC_SH (1).wav
Metallic_Wet_128BPM_KeyC_SH (2).wav
Metallic_Wet_128BPM_KeyC_SH (3).wav
Moving Noise_Wet_128BPM_KeyC_SH (1).wav
Moving Noise_Wet_128BPM_KeyC_SH (2).wav
Moving Noise_Wet_128BPM_KeyC_SH (3).wav
Neat Sweep_Wet_128BPM_KeyC_SH (1).wav
Neat Sweep_Wet_128BPM_KeyC_SH (2).wav
Neat Sweep_Wet_128BPM_KeyC_SH (3).wav
Nerf Gun_Wet_128BPM_KeyC_SH (1).wav
Nerf Gun_Wet_128BPM_KeyC_SH (2).wav
Nerf Gun_Wet_128BPM_KeyC_SH (3).wav
Over 9000_Wet_128BPM_KeyC_SH (1).wav
Over 9000_Wet_128BPM_KeyC_SH (2).wav
Over 9000_Wet_128BPM_KeyC_SH (3).wav
Overkill_Wet_128BPM_KeyC_SH (1).wav
Overkill_Wet_128BPM_KeyC_SH (2).wav
Overkill_Wet_128BPM_KeyC_SH (3).wav
Pad_Wet_128BPM_KeyC_SH (1).wav
Pad_Wet_128BPM_KeyC_SH (2).wav
Pad_Wet_128BPM_KeyC_SH (3).wav
Poly_Wet_128BPM_KeyC_SH (1).wav
Poly_Wet_128BPM_KeyC_SH (2).wav
Poly_Wet_128BPM_KeyC_SH (3).wav
Prism_Wet_128BPM_KeyC_SH (1).wav
Prism_Wet_128BPM_KeyC_SH (2).wav
Prism_Wet_128BPM_KeyC_SH (3).wav
Raw_Wet_128BPM_KeyC_SH (1).wav
Raw_Wet_128BPM_KeyC_SH (2).wav
Raw_Wet_128BPM_KeyC_SH (3).wav
Reezy_Wet_128BPM_KeyC_SH (1).wav
Reezy_Wet_128BPM_KeyC_SH (2).wav
Reezy_Wet_128BPM_KeyC_SH (3).wav
Rich_Wet_128BPM_KeyC_SH (1).wav
Rich_Wet_128BPM_KeyC_SH (2).wav
Rich_Wet_128BPM_KeyC_SH (3).wav
Sawish_Wet_128BPM_KeyC_SH (1).wav
Sawish_Wet_128BPM_KeyC_SH (2).wav
Sawish_Wet_128BPM_KeyC_SH (3).wav
Scratchy_Wet_128BPM_KeyC_SH (1).wav
Scratchy_Wet_128BPM_KeyC_SH (2).wav
Scratchy_Wet_128BPM_KeyC_SH (3).wav
Sneaker_Wet_128BPM_KeyC_SH (1).wav
Sneaker_Wet_128BPM_KeyC_SH (2).wav
Sneaker_Wet_128BPM_KeyC_SH (3).wav
Spitting_Wet_128BPM_KeyC_SH (1).wav
Spitting_Wet_128BPM_KeyC_SH (2).wav
Spitting_Wet_128BPM_KeyC_SH (3).wav
Squarish A_Wet_128BPM_KeyC_SH (1).wav
Squarish A_Wet_128BPM_KeyC_SH (2).wav
Squarish A_Wet_128BPM_KeyC_SH (3).wav
Squarish B_Wet_128BPM_KeyC_SH (1).wav
Squarish B_Wet_128BPM_KeyC_SH (2).wav
Squarish B_Wet_128BPM_KeyC_SH (3).wav
Squeek_Wet_128BPM_KeyC_SH (1).wav
Squeek_Wet_128BPM_KeyC_SH (2).wav
Squeek_Wet_128BPM_KeyC_SH (3).wav
Steppy Noise_Wet_128BPM_KeyC_SH (1).wav
Steppy Noise_Wet_128BPM_KeyC_SH (2).wav
Steppy Noise_Wet_128BPM_KeyC_SH (3).wav
Stuttering Supersaw_Wet_128BPM_KeyC_SH (1).wav
Stuttering Supersaw_Wet_128BPM_KeyC_SH (2).wav
Stuttering Supersaw_Wet_128BPM_KeyC_SH (3).wav
Suave_Wet_128BPM_KeyC_SH (1).wav
Suave_Wet_128BPM_KeyC_SH (2).wav
Suave_Wet_128BPM_KeyC_SH (3).wav
Swirl_Wet_128BPM_KeyC_SH (1).wav
Swirl_Wet_128BPM_KeyC_SH (2).wav
Swirl_Wet_128BPM_KeyC_SH (3).wav
Tapestop Machine_Wet_128BPM_KeyC_SH (1).wav
Tapestop Machine_Wet_128BPM_KeyC_SH (2).wav
Tapestop Machine_Wet_128BPM_KeyC_SH (3).wav
The Future_Wet_128BPM_KeyC_SH (1).wav
The Future_Wet_128BPM_KeyC_SH (2).wav
The Future_Wet_128BPM_KeyC_SH (3).wav
The Killer_Wet_128BPM_KeyC_SH (1).wav
The Killer_Wet_128BPM_KeyC_SH (2).wav
The Killer_Wet_128BPM_KeyC_SH (3).wav
Thunder_Wet_128BPM_KeyC_SH (1).wav
Thunder_Wet_128BPM_KeyC_SH (2).wav
Thunder_Wet_128BPM_KeyC_SH (3).wav
Time Machine_Wet_128BPM_KeyC_SH (1).wav
Time Machine_Wet_128BPM_KeyC_SH (2).wav
Time Machine_Wet_128BPM_KeyC_SH (3).wav
UFO Engine_Wet_128BPM_KeyC_SH (1).wav
UFO Engine_Wet_128BPM_KeyC_SH (2).wav
UFO Engine_Wet_128BPM_KeyC_SH (3).wav
Unison Phase_Wet_128BPM_KeyG_SH (1).wav
Unison Phase_Wet_128BPM_KeyG_SH (2).wav
Unison Phase_Wet_128BPM_KeyG_SH (3).wav
Vowel_Wet_128BPM_KeyC_SH (1).wav
Vowel_Wet_128BPM_KeyC_SH (2).wav
Vowel_Wet_128BPM_KeyC_SH (3).wav
Water_Wet_128BPM_KeyC_SH (1).wav
Water_Wet_128BPM_KeyC_SH (2).wav
Water_Wet_128BPM_KeyC_SH (3).wav
Weakness_Wet_128BPM_KeyC_SH (1).wav
Weakness_Wet_128BPM_KeyC_SH (2).wav
Weakness_Wet_128BPM_KeyC_SH (3).wav
Wobbly_Wet_128BPM_KeyC_SH (1).wav
Wobbly_Wet_128BPM_KeyC_SH (2).wav
Wobbly_Wet_128BPM_KeyC_SH (3).wav
Woody_Wet_128BPM_KeyC_SH (1).wav
Woody_Wet_128BPM_KeyC_SH (2).wav
Woody_Wet_128BPM_KeyC_SH (3).wav
Year 3000_Wet_128BPM_KeyC_SH (1).wav
Year 3000_Wet_128BPM_KeyC_SH (2).wav
Year 3000_Wet_128BPM_KeyC_SH (3).wav
Zipper_Wet_128BPM_KeyC_SH (1).wav
Zipper_Wet_128BPM_KeyC_SH (2).wav
Zipper_Wet_128BPM_KeyC_SH (3).wav

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